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Hell Canto 12

Description of Art: Hell Canto 12 unfolds in an atmosphere of brutal weight and trembling violence, and Dalí transforms this canto’s encounter with the Minotaur and the river of boiling blood into a scene marked by jagged tension and harsh illumination. The palette seethes with deep reds, scorched browns, and heavy, iron-tinged grays—colors that settle over the composition like the residue of ancient fury. The light is sharp and unforgiving, cutting across forms in sudden flashes that reveal the violence embedded in every contour.

At the center, an elongated, towering figure—suggestive of the Minotaur—bends in a contorted posture of rage and wounded pride. Dalí traces the creature’s powerful limbs and distorted torso with precise engraving lines, then allows parts of the form to dissolve into drifting shadows, as though the beast’s anger distorts even the air around it. The gesture—half-collapse, half-roar—captures the canto’s essence: a fury so intense it bends the boundary between strength and ruin.

Dante stands at a distance, rendered with steadier, more grounded contours. His posture is tense, leaning subtly backward as he confronts the monstrous presence before him. Dalí gives him a clarity that emphasizes his vulnerability within this violent landscape. His guide stands firm beside him, a calm axis of resolve amid the trembling air, his form holding the scene together with quiet authority.

The surrounding terrain reveals a fractured, hostile world: jagged rocks jut upward in harsh angles; deep fissures carve through the earth; and the faint suggestion of the river of boiling blood glows with a dull, ominous radiance. The ground feels unstable, as though shaped by centuries of stampeding wrath and collapsed hope. The landscape’s fragmentation mirrors the internal chaos of the souls condemned here.

Dalí distills the essence of Canto 12 into a moment of fierce confrontation—a vision where rage becomes landscape, where ancient myth and eternal punishment intertwine, and where the traveler stands trembling before a boundary marked by violence. It is a scene shaped by sharp light and crushing heaviness, capturing the Inferno’s relentless descent into the raw force of sin unrestrained.

Painting Title: Hell Canto 12

Artist: Salvador Dali
Year Published: 1963
Size of painting: 13″ × 10½″

Collection #: BB-1240

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